Philip Wilson SteerPhilip Wilson Steer (1860 1942) spent his childhood and youth at Whitchurch near Ross on Wye, just three miles from the English Welsh border, and studied at the Gloucester College of Art. He was at the centre of much controversy in the British art world at the end of the nineteenth century and was a prime mover in the adoption of French Impressionist techniques during that period. Although much criticised for this role, Steer taught at the Slade for

Jean-Paul Michel

assembled and translated by fellow Iraqi poet Sinan Antoon

are at the forefront of some of the most exciting developments in poetry today

Adel Guemar

David Belbin – Turning Fact into Crime Fiction

and Etter's homeland

they mourn

Gamal el-Ghitani Excerpt from the novel Pyramid Texts

Her poems have appeared in the Bloodaxe anthology Identity Parade (2010) and The Forward Book of Poetry 2006

the Robinson Jeffers Tor House Prize

We Live (1985)

These local settings and experiences contrast with lyrics about the mystery and beauty of Japanese culture and the mythopoeic sequences in 'A Stillness at Kiawah'